‘Indeed it is even possible for an entity to show itself as something which in it self it is not.’
Martin Heidegger
The enigma of “Thought Experiment”; vigilantly and intricately woven, with the web of an adventurous journey, this is the flavour of, “The End of Mr Y” by Scarlett Thomas. Unlike most young authors, her diction is frank and candid and from the very beginning the book has some magnetic quality very much like the old time novels that you sneak to finish, during your lunch hour. She discusses thoughts, emotions and associations as they appear in her own thought process. She chalks out the process of karma and chance element in the movement of her thoughts and like a gushing torrent the reader is carried away on a high fevered intrigue. Scarlett Thomas, has lent a new freshness to the age old concepts of metaphysics and various philosophies of Being.
The novel is a modernistic look at the nineteenth century philosophy. Our almost eccentric heroin is Ariel Manto, whose life consists of smoking cigarettes, drinking coffee, and researching nineteenth-century author’s work on thought experiments. Thomas sends Ariel on a quest, that’s has the exuberance of a sci-fi novel yet has the depth of a most amazing journey of self introspection and discovery. The trip into the “The End of Mr. Y” is like marrying one of Stephen Hawking’s with a Paulo Cohelo, metaphysics backed back logic and fact. The work is not only thrillingly imaginative, but Thomas’s grasp of challenging philosophical concepts weaves a very satisfying thread of commentary through the story. If you’re interested in Derrida, Phenomenology or the interrelation of science, faith, and language, you will find Ariel’s musings fascinating and well-informed.
Providence leads Ariel, to an almost fabled book in a used book store; the last copy surviving, since the late 1800s. Part of the reason that the other copies were destroyed is the rumour of a curse, wherein anyone who reads the book dies shortly afterwards. Feverish with her discovery and baffled at her luck, she scurries home with her treasure, caring mixed feelings of fear, wonder and intrigue. She is torn between the temptation of the knowledge within and petrified of the consequences so legendry. Fate deals a strange hand to our heroin and a jigsaw puzzle of strange happening starts to unravel. Ariel Manto, obsessed by her knowledge is carried away in her quest for Truth. Her search for the answers leads her to questions and more questions. The cursed book brings together a strange mix of people entirely disconnected and yet absolutely connected in another realm. Her journey has starts with destitution, obsession, self deprecation, lust, and finally takes the form of truth, hope and love.
Despite the fact that the novel is based on principals derived from history , philosophy and physics it is by no means a dull commentary; Thomas has a knack of mixing fact with poetry in a most blended manner, ‘What folly takes fight through ether to each eye from every horizon? And beyond this is not truth but what we have made truth; yet this is a truth we cannot see’
Ariel Manto, is a thoroughly modern woman with strong ideas. At one point, Ariel self-deprecatingly laments, ‘Sometimes I think I see my own ideas floating around, but they usually don't last long. They’re more like mayflies: They're born, big and gleaming, and then they fly around, buzzing like crazy before they simply fall to the floor, dead, about twenty-four hours later.’ This thought however, is not applicable to this book which has all the ingredients of leaving a strong imprint on the mind of the reader.
Scarlett Thomas, builds Ariel's world like a scientist may build a thought experiment, letting it unfold for us naturally, and it becomes as persuasive as our real world. She is also willing to face the darkness and complexity of human decisions and interactions with humour and ethics, but without judgment. Her narrator is flawed but understanding, a refreshing point of relation for the reader. The question is never the act, but the thought behind that act which moves and shapes the realities as we see them, the question of evil, good and bad is left entirely to the judgement and perception of the reader. Ariel herself, a home to all the proclaimed vices, also displays a great understanding of the Soul of the Universe, ‘In anyplace that I take flight the dark will mutate into light’.
The book has entirely lucid lines, finely merging the hard core concepts of reality into the realms of unreal, but it has a strong essence of being entirely relevant. While going through the book one feels various moments of déjà vu. Our unconventional novel however has a conventional outcome and although the plot is well thought out, the ending leaves a quite a few questions unanswered. This quality however, lends it a more interesting appeal and though not as powerful, it sinks in leaving the reader to draw its conclusions.
In 2001, Scarlett Thomas was voted among United Kingdom’s top 20 best Young Writers and in 2002 won the Elles Style Award. She currently teaches Creative Writing and English literature at the University of Kent.